The still lifes deal with domestic spaces and objects that have been devoured and swiftly discarded. Through photographs of leftovers, Letinsky investigates the established relationships between the following; ripeness and deterioration, negligence and discipline, frailty and inelegance, sustenance and delight, waste and abundance. The photographs look at what persists and by deduction, what is gone, transforming the typically overlooked into something beautiful.
Wednesday, 15 May 2013
Laura Letinsky
Here are two of several images taken from the series
entitled Hardly More Than Ever by contemporary
Canadian photographer Laura Letinsky.
The still lifes deal with domestic spaces and objects that have been devoured and swiftly discarded. Through photographs of leftovers, Letinsky investigates the established relationships between the following; ripeness and deterioration, negligence and discipline, frailty and inelegance, sustenance and delight, waste and abundance. The photographs look at what persists and by deduction, what is gone, transforming the typically overlooked into something beautiful.
The still lifes deal with domestic spaces and objects that have been devoured and swiftly discarded. Through photographs of leftovers, Letinsky investigates the established relationships between the following; ripeness and deterioration, negligence and discipline, frailty and inelegance, sustenance and delight, waste and abundance. The photographs look at what persists and by deduction, what is gone, transforming the typically overlooked into something beautiful.
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